In the world of beverage containers, the ceramic mug stands as an enduring symbol of comfort, warmth, and style. Whether you're sipping on a morning cup of coffee or enjoying an evening herbal tea, the ceramic mug has proven to be a timeless companion. In this comprehensive guide, we'll explore everything there is to know about ceramic mug – from their types and benefits to reasons why they are favored by many. So, let's delve into the fascinating world of ceramic mugs.
With competitive price and timely delivery, Midas sincerely hope to be your supplier and partner.
A ceramic mug is a vessel designed for holding hot or cold beverages, typically made from clay that is fired at high temperatures. The term "ceramic" encompasses a broad range of materials, including earthenware, stoneware, and porcelain. These mugs can vary in size, shape, and design, offering a wide array of choices for consumers.
A ceramic mug comes in various types, each with its unique characteristics.
Earthenware ceramic mug is made from clay that is fired at a lower temperature, resulting in a porous and somewhat fragile product. While these mugs may not be as durable as other types, they often feature vibrant colors and intricate designs.
Stoneware ceramic mug is fired at a higher temperature, making it denser and more durable than earthenware. They are known for their natural, earthy tones and are often chosen for their rustic appeal.
Porcelain ceramic mug is fired at the highest temperatures, creating a smooth and non-porous surface. This type of mug is elegant, lightweight, and ideal for showcasing intricate patterns. Porcelain mugs are often considered more refined and delicate.
A ceramic mug offers a range of benefits that contribute to their widespread popularity.
Beyond the general benefits, ceramic mug boasts specific advantages that make it stand out in the world of drinkware.
A handmade ceramic mug offers a unique charm that mass-produced mugs may lack. Here are ten compelling reasons to choose handmade over factory-made.
Handmade ceramic mug often showcase the artist's creativity and individual touch, adding an artistic flair to your drinkware collection.
Each handmade ceramic mug is unique, making it a special and exclusive addition to your kitchen or office.
Purchasing handmade mugs supports local artisans and small businesses, contributing to the growth of the artisanal community.
Many artisans offer customization options for ceramic mug, allowing you to request specific colors, shapes, or patterns to suit your taste.
Using a handmade ceramic mug provides a connection to the craftsmanship involved in its creation, enhancing the appreciation for the item.
Artisans often use high-quality materials, ensuring that your handmade ceramic mug is both functional and durable.
Handmade mugs may feature unique textures that add tactile enjoyment to your drinking experience.
Handmade ceramic mug make thoughtful and memorable gifts, showcasing the effort and care put into their creation.
The limited production of handmade mugs means you are part of a select group of individuals with access to these particular designs.
Many artisans prioritize sustainable practices, making handmade ceramic mug an eco-friendly choice.
Selecting the right size for your ceramic mug depends on your personal preferences and intended use. Common sizes include:
When choosing the best size, consider factors such as your daily beverage consumption, storage space, and whether you'll be using the ceramic mug at home or on the go.
The vessel from which you drink can indeed influence the taste of your tea or coffee. Ceramic mugs, with their smooth and non-reactive surfaces, are known for preserving the original flavor of the beverage. Unlike some materials that may impart unwanted flavors or odors, ceramic mug allows you to enjoy your drink in its purest form.
The thickness of the ceramic mug also plays a role. Thicker mugs may insulate better, keeping your drink at the desired temperature for a more extended period. This factor contributes to the overall drinking experience, enhancing the enjoyment of your favorite brew.
Understanding the pros and cons of different types of ceramic mug helps you make an informed decision based on your preferences and lifestyle.
If you're in search of high-quality ceramic mug that combine style and functionality, look no further than Angie Homes. Our online store offers a curated selection of ceramic mug in various designs, sizes, and types to suit every taste. With a commitment to quality and customer satisfaction, Angie Homes ensures that each mug you purchase is a testament to craftsmanship and style.
Visit our online store to explore our collection and find the perfect ceramic mug that complements your lifestyle. Enjoy the convenience of online shopping and have your favorite mugs delivered to your doorstep at the best prices.
The ceramic mug, with its rich history and diverse characteristics, remains a staple in households and workplaces worldwide. Whether you prefer the rustic charm of earthenware, the durability of stoneware, or the elegance of porcelain, there's a ceramic mug to suit every taste and occasion. From enhancing the taste of your favorite beverage to expressing your personal style, the ceramic mug continues to be a versatile and beloved companion in the world of drinkware. As you explore the myriad options available, remember the enduring appeal of the ceramic mug – a timeless vessel that combines form, function, and a touch of warmth in every sip.
What Are the Benefits of a Decanter?
Elevate Your Dining Experience with a Plate Set from Angie Homes
How to Identify the Different Types of Dinnerware Materials
Everything You Need to Know About Dinner Sets
Plastic Champagne Glasses : Elevate Your Celebrations with Elegance
Elevate Your Wine Experience : The Perfect Wine Decanter Set
Shop the Top Notch Ice Buckets Online - Angie Homes
Ans: A ceramic mug stands out for its unique combination of aesthetic appeal, versatility, and functionality. They come in various types, including earthenware, stoneware, and porcelain, each offering distinct characteristics. The smooth and non-reactive surfaces of ceramic mug contribute to an enhanced drinking experience, preserving the original flavor of beverages. The ability to personalize and customize ceramic mug also adds a special touch, making them a favorite among those who appreciate individuality and craftsmanship.
Ans: Absolutely, a ceramic mug is worth the investment. Their durability, heat retention properties, and diverse designs make them a valuable addition to any kitchen. Ceramic mugs are not only aesthetically pleasing but also environmentally friendly, often made from sustainable materials. Whether for personal use or as thoughtful gifts, the versatility and enduring charm of ceramic mug make them a worthwhile choice for individuals seeking both style and functionality.
Ans: Yes, it is excellent to drink from ceramic mugs. The smooth, non-porous surface of ceramic mug ensures that it does not interfere with the taste of your beverages, allowing you to fully enjoy the flavors without any unwanted aftertaste. Additionally, ceramic's ability to retain heat makes it ideal for keeping your drinks at the desired temperature for a longer duration. The variety of designs and types available also adds to the overall pleasure of drinking from ceramic mug, making them a popular choice for tea, coffee, and other beverages.
Ans: People love ceramics for a multitude of reasons. The appreciation for ceramic mug stems from their aesthetic appeal, diverse applications, and the artisanal craftsmanship involved in their creation. Ceramics offer a unique blend of form and function, providing practical items with a touch of artistry. The versatility of ceramics, seen in products like mugs, plates, and decorative pieces, allows individuals to express their personal style. Additionally, the use of natural materials and the often-handcrafted nature of ceramics contribute to a sense of connection with the craftsmanship, making these items cherished and loved.
Ans: While ceramic mug has numerous advantages, they are not without some disadvantages. Earthenware mugs, in particular, can be porous and absorb flavors over time. Ceramics, in general, may chip or crack if dropped, with porcelain being more susceptible due to its delicate nature. Ceramic mugs, especially handmade ones, can be heavier than alternatives like glass or stainless steel. Additionally, certain types of ceramics may not be suitable for extreme temperature changes. Despite these drawbacks, proper care and consideration of the type of ceramic can mitigate these issues, and many still find the benefits of ceramic mugs outweigh the disadvantages.
Ans: Yes, ceramic mug is inherently waterproof. The firing process during the creation of ceramic ware, whether earthenware, stoneware, or porcelain, transforms the raw clay into a solid and impermeable material. This makes ceramic mug resistant to liquid penetration, ensuring that they are suitable for holding beverages without any risk of leakage. However, it's important to note that the glaze on the surface of the mug adds an extra layer of protection, contributing to its waterproof quality. Properly made and glazed ceramic mug will effectively contain liquids without compromising their structural integrity.
Ans: The safety of old ceramic mugs depends on various factors, including the materials used and the presence of potentially harmful elements like lead. Older ceramic mugs, particularly those made before regulations on lead content were established, may pose a risk if the glaze contains lead. Lead can leach into liquids, posing health hazards. It's advisable to avoid using antique or vintage ceramic mugs for food or beverages, especially acidic ones like citrus juices. If in doubt, testing kits are available to check for lead content. For modern ceramics and those meeting safety standards, there is generally no cause for concern regarding safety.
(from Radcliffe College, Dartmouth College and other sources)
Inhalation of all clay materials especially silica can damage your lungs.
Avoid excessive dust exposure.
Make sure you know what ingredients are in the clays you use.
Wet clay is a good medium for mold growth and bacterial incubation.
Do not eat, drink, or smoke in your work space. Do not interchange tools and eating utensils. Scrub hands thoroughly after working.
Prevent or alleviate back stain and wrist injuries with good work habits.
Many glaze materials are hazardous. Those of special concern are listed here:
Know what you are using.
Do not eat, drink, or smoke in glazing area. Do not interchange eating and glazing utensils. Scrub your hands thoroughly after glazing.
Use a Ceramic dust filter mask that fits well when mixing, spraying, or sanding glazes.
Do not pollute the environment when discarding unused toxic glaze materials.
Kilns are potentially hazardous if they are installed or fired incorrectly.
Touching an element in an electric kiln can be fatal.
Firing of clay materials in electric and gas kilns produces carbon monoxide, formaldehyde, and sulphur dioxide gases.
Firing of glaze materials in electric and gas kilns can produce fumes of the toxic materials discussed above in the glazing section.
Salt firings emit highly toxic chlorine gas during the salting process.
The intense heat and infrared radiation from all kiln firings can damage your eyes.
Use of any studio equipment can be hazardous if not operated properly.
Use of motorized grinders can be very hazardous.
DOORS TO THE KILN ROOM MUST REMAIN CLOSED AT ALL TIMES.
The first thing to do in any unexplained Kiln Room event is to immediately notify Ceramics Staff (studio manager, kiln room technician, or faculty) to ascertain source. If no clear determination is made, call Security at xxxx to apprise them of the situation.
Important: you or someone you assign must remain in continual contact with Security until the event concludes. In an emergency leave the studio. Ceramics Staff is to help facilitate evacuation from studios and labs.
Gas Odor
If it is strong (stinging to the eyes) report to Security and leave the premises immediately. Otherwise:
Non-Gas Odor
Should there be any unaccustomed smells coming from the kiln room:
Smoke Odor
Visible Smoke There are very few reasons smoke that can be seen should appear in the kiln room:
Fire Outside Kiln Chamber If flames are evident anywhere but the chimney or damper flues, spy holes, burner ports or passive dampers:
Water Leaks on Electric Kilns Under no condition should any water or liquid be on or near electric kilns.
Induction of Soda or Salt in G-6 Kiln
Note: from "Keeping Clay Work Safe and Legal" by Monona Rossol, for National Council on Education for the Ceramic Arts (NCECA).
In addition to toxic chemicals, there are physical hazards from the heavy work, from noise, and other hazards.
The company is the world’s best Ceramic Cup Supplier supplier. We are your one-stop shop for all needs. Our staff are highly-specialized and will help you find the product you need.
OVERUSE AND STRAIN INJURIES. These injuries are often called "cumulative trauma disorders" because they develop from repeated small injuries to tissue from overuse and strain. They can occur while wedging, throwing, or hand building with clay. "Potter's thumb," for instance, is the term some potters have used to describe symptoms which are now associated with the early stages of carpel tunnel syndrome. Many potters have acquired carpal tunnel syndrome, a debilitating condition involving compression of the median nerve at the wrist. Tendonitis in various locations and tennis elbow are also common.
Hand, back, and wrist muscle injuries can also occur from sitting at the potters wheel for too long, especially if posture is incorrect. Injuries from lifting sacks of clay, moulds, and the like are common among both potters and ceramicists. To prevent these injuries, pay careful attention to your body for signs of fatigue, pain, changes in endurance, weakness, and similar symptoms. Developing good work habits can prevent these conditions and even may resolve early symptoms. These include:
If symptoms do not respond quickly, seek medical attention. Early medical intervention will cause the majority of overuse injuries to resolve without expensive treatment or surgery. Delaying treatment can leave you disabled for long periods or even for life. In response to artists' special needs, a new field called "arts medicine" has been created. Doctors and clinics specializing in arts medicine can be located by consulting your doctor or arts health organizations such as Arts, Crafts and Theater Safety.
To inhale or ingest the dust of any of our clay or glaze materials is unhealthy. Therefore thoroughly clean all wheels, tables, tools and equipment after use and wash up any spills, splatters, or trimmings that land on the floor.
Participate in our "Health Insurance Program" by spending one hour each term on dust-busting duty. (Use a sponge or a mop to clean any floor or table area that threatens to emit dust into our breathing space.)
Buy a good dust filter mask and wear it when mixing dry materials, spraying glazes, and scraping shelves.
Be aware of the specific safety issue of each material you use by discussions with your instructor and by reading "Health & Safety Concerns in the Ceramics Studio."
Observe no smoking policy in the building.
Do not use any wheel, kiln, spray equipment, slab roller, grinder, etc. unless you have received personal instruction and permission from a staff person. Permission to use kilns requires apprenticeship and testing.
You must turn off any electrical equipment after using it - wheels, kilns, fans, hot plate, etc.
If you are the last to leave, make sure that all the windows are closed, and that the lights have been turned off.
Use the buddy system for pedestrian travel at night to and from the studio.
Please help foster a productive work environment in the studio by respecting the need for quiet concentration. Conduct extended personal conversations in the lounge, not in the workspace. Use walkmans, not radios.
Leave your work area clean and empty for the next person. All your work should be stored on shelves. Any work left on wheels or tables will be probably be moved to a shelf by someone needing workspace.
Take any heavy personal garbage (broken bisqueware, etc.) directly to the dumpster outside the building.
If you plan to keep any food in the refrigerator label and date the food so that it will not be considered old and forgotten.
SECURITY
KILN ROOM
CLAY ROOM RULES
PLASTER ROOM RULES
GLAZE ROOM RULES
EQUIPMENT AUTHORIZATIONS / ORIENTATION
There are scheduled demos on proper use of clay mixers, gas & electric kilns, ball mill, tile saw, and kiln shelf care, after which all students will be tested and asked to sign a responsibility form for using equipment properly. Students are not authorized to use the above-mentioned equipment without authorization. Failure to comply with department in responsibility and care of equipment constitutes losing the privilege to use that specific piece of equipment. If you break equipment, you will be responsible for its repair or replacement according to the direction of the chair and Dean.
Each instructor has a rotating cleaning assignment schedule. All students enrolled in Foundations, Intro classes and Continuing Education are responsible for cleaning up daily as well as on assigned cleaning days. Non-participation in scheduled clean-ups will result in a hold on your grade.
All Ceramic students are required to work on a committee and have a small weekly task in one of the labs; these assignments are small but require your 15 minutes weekly. Attendance is taken by the studio manager weekly and three free absences are allowed each semester. Absence from the weekly committee tasks beyond three free absences constitutes an incomplete until department responsibilities are completed.
Classrooms at the end of the semester (exam week) must be totally cleaned for the classroom readiness for the following semester. Each instructor is required to remove all leftover work, direct and organize classroom cleanup and not leave for break until classrooms are thoroughly cared for.
Common areas must remain clearly passable and clean. Sink and areas need to remain clean and tidy. Common areas have to be equally cared for by all at midterm and final cleanups.
No curtains or privacy door dividers are allowed in Ceramics. Participation in the community is essential for community success, we are glad you are here!
Midterm and final cleanups are scheduled each semester. All Ceramics students are required to attend and work within committees. An alternate make up cleanup date (Midterm and final) will also be schedule for the unforeseen emergency. Failure to participate in studio cleanups results in a grade for the semester course being withheld.
Note: from "Keeping Clay Work Safe and Legal" by Monona Rossol, for National Council on Education for the Ceramic Arts (NCECA).
CARBON MONOXIDE: Formed when carbon-containing compounds are burned in limited oxygen atmospheres. This happens when gas, wood or other fuels are burned in kilns. Reduction firing produces the greatest amounts of carbon monoxide. Electric kilns also produce carbon monoxide from the burning of organic matter found in most clays and many glaze materials, from wax resists, stabilizers in slip clays, tack oils in lustres, and other organic additives in clays and glazes. Amounts of carbon monoxide over the Threshold Limit Value have been measured near electric kilns.
OTHER ORGANIC DECOMPOSITION PRODUCTS: In addition to carbon monoxide, large numbers of other chemicals are created when organic matter burns. A class of chemicals called aldehydes and certain other Formaldehyde, for example, has been measured in significant amounts near electric kilns.
SULFUR OXIDES: Many clays and glaze ingredients contain significant amounts of sulfur-containing compounds. When these are fired they give off sulfur oxides which form sulfurous and sulfuric acids when they combine with water. These acids etch the metal kiln parts above ports and doors and also are highly damaging to the respiratory system.
CHLORINE AND FLUORINE: These gases are released when fluorine and chlorine-containing clay and glaze chemicals such as fluorspar, iron chloride, and cryolite are fired. Both gases are highly irritating to the respiratory tract. Fluorine also is associated with bone and tooth defects.
METAL FUMES: Fumes are formed when some metals and metal-containing compounds are fired. Complex reactions which occur during glaze firing make it difficult to predict precisely at what temperature metals will volatilize and oxidize to form a fume. Some toxic metals which commonly fume include lead, cadmium, antimony, selenium, copper, chrome, and nickel. The fumes may be inhaled or they may settle on surfaces in the studio. Some fumes can contaminate the kiln and deposit on ware in subsequent firings.
N1TROGEN OXIDES AND OZONE: These gases are produced by decomposition of nitrogen-containing compounds or by the effect of heat and/or electricity on air in the kiln. They are strong lung irritants.
OTHER EMISSIONS: One of the strongest arguments for venting all kilns is the unpredictability of emissions. Trade magazines and textbooks often suggest projects which result in the firing of nails, paper, plastic, wood, wire, and many other items: One magazine even suggested throwing mothballs into hot electric kilns to create reduction atmospheres. This practice would release highly toxic emissions including cancer-causing benzene. Projects such as these combined with the unpredictability of clay and glaze composition make ventilation necessary.
Large number of compounds. Lead and barium. High toxicity. Any of the metals. Iron, copper, cobalt, nickel (extremely powerful carcinogen) Soluble - more dangerous. Insoluble passes through your body quickly. All materials are hazardous when ingested.
Barium, lead - carcinogens. Soluble materials are absorptive.
Exposure - won't show up immediately. Know how to take necessary precautions.
Respect - not fear.
Absorption - into mouth. Soluble compounds of any kind are the most hazardous. Sulfides, sulfates, chlorides, chlorates - food, drink, cigarettes.
Radiation - uranium derivatives. Uranium oxide. Storage of bulk materials is the hazard. Sodium urinate - toxic in ingestion, absorption. Radiation hazard not that great.
Infrared radiation from kilns - a wave that travels through the air without warming the air. Retina of the eye, heads up the eye - prolonged exposure causes cataracts. Skin cancer- infrared and ultraviolet. Smoking compounds all theses hazards.
Clays - alumina and silica - free silica. Easily can cause silicosis
Feldspars - inhalants - silicosis
Grog - dust bad
Plastics - caustic
Lead Frits - relatively innocuous. Silicosis producing, but lead is not a hazard.
Alumina Hydrate - Aluminosis - hazardous inhalant.
Barium Carbonate - use barium Frit instead to prevent hazard.
Borax - a hazard - Boric acid.
Cadmium compounds - reds in 04 range. Siliamium - copper compounds. Any heavy metals.
Flint - pure free silica, bad.
Gums - not a problem unless you are allergic to it.
Iron compounds - used in psychiatry in small doses. High doses causes schizophrenia.
Magnesium compounds.
Manganese dioxide - more hazardous.
Nickel - one of the most powerful carcinogens know.
Rare earths - vanadium, no research.
Selenium
Spogemene - hazardous to hair, not bad.
Talc - asbestos in the talc is the problem. Some kinds worse than others.
Tin chloride - (stannous) soluble - chloride.
Vanadium - poisonous.
Zinc compounds - mildly hazardous.
Inhalation hazards - keep it wet, it won't go into the air. Particle size smaller than what you can see.
Wet Vac
Use low silica clays. Minimize the hazard.
Use vent system at the source. Pick up the dust before it gets into the studio.
Kilns should be vented properly. Good exhaust system. or in another room.
Ventilation is the key. Time exposure is what matters. Low level constant is the worse.
Sweep or making clay just before you leave at night allows dust to settle.
Surgeon's gloves for glazing when you have cuts on hands.
Dust filter - dust and mists. Only dusts don't work for spraying.
Personal protective equipment must fit.
Absorption hazards - rubber gloves. Personal protective equipment when absorption is possible.
Ingestion - watch out when eating or drinking.
Wash hands well before eating.
Beards and mustaches collect materials.
Throwing - keep moving around. One position is what hurts.
Lead and cadmium are soluble out of glazes after firing.
(Lead Chromate, lead monosilicate, lead sulfide, Litharge) Skin toxicity not significant. Inhalation toxicity high.
Both acute and chronic ingestion or inhalation can cause lead poisoning. Inhalation is more of a problem than ingestion. Lead affects the gastrointestinal system, red blood cells, neuromuscular system, other common effects include weakness, headaches, irritability, malaise, pain in joint and muscles, liver and kidney damage, and possible birth defects.
Lepidolite - Skin toxicity moderate, Inhalation toxicity high. Skin contact may cause burns, Inhalation and ingestion may cause respiratory and gastrointestinal irritation. Chronic inhalation may cause silicosis.
Manganese Carbonate and Manganese Dioxide - Skin toxicity not significant. Inhalation toxicity high. Chronic inhalation may cause manganese poisoning, a serious nervous system diseases resembling Parkinson's disease. Early symptoms include apathy, loss of appetite, weakness, spasms, headaches, irritability, etc.
Nepheline Syenite: - See Felspathoids
Potash: - Skin toxicity moderate. Inhalation high. Alkalis are corrosive to skin and eyes. Inhalation causes severe irritation and possible pulmonary edema.
Potassium Dichromate - Skin toxicity moderate. Inhalation toxicity high. Skin contact may cause irritation, allergies, and skin ulcers. Chronic inhalation may cause perforation of nasal septum and respiratory allergies. Causes cancer in animals, suspected human carcinogen.
Soda Ash - Skin toxicity moderate. Inhalation high. Corrosive to skin and eyes. Inhalation causes severe irritation and possible pulmonary edema.
Talc - Skin toxicity not significant. Inhalation high. Inhalation of talc may cause lung scarring. Chronic inhalation may cause silicosis if silica is present, or asbestosis, lung cancer and mesothelioma if asbestos is present.
Tin Oxide - Tin oxide dusts are irritating to eyes and nose and cause lung changes as shown by chest x-ray, but no ill effects.
Vermiculite - Inhalation toxicity high. Asbestos contaminated, chronic inhalation may cause asbestosis, lung cancer, etc.
Water Glass - (sodium silicate) May cause skin and respiratory irritation.
Wollastonite - May cause skin, eye and respiratory irritation.
Zircon (zircopax) - Inhalation toxicity high. Causes nodules under the skin from skin contact and in the lungs from inhalation. Chronic inhalations may cause silicosis.
Antimony Oxide - Inhalation toxicity high. Skin toxicity moderate.
Skin contact may cause severe lesions, including ulcers. Acute ingestion or inhalation may cause metallic taste, vomiting, diarrhea, severe irritation of mouth and nose, slow shallow breathing, and pulmonary congestion. Chronic exposure may cause loss of appetite and weight, nausea, headache, sleeplessness and later liver and kidney damage. May vaporize during firing.
Asbestos - Skin toxicity slight. Inhalation toxicity high. Carcinogen.
Inhalation may cause asbestosis (a form of lung fibrosis), lung cancer, stomach and intestinal cancer.
Barium Carbonate - Skin toxicity slight. Inhalation toxicity high.
May cause skin, eye, nose and throat irritation. Inhalation or ingestion may cause barium poisoning with symptoms of heart irregularities, intestinal spasms, and sever muscle pains. Chronic poisoning is most likely.
Chrome Oxide - Skin & Inhalation toxicity moderate. Suspected carcinogen.
May cause skin and respiratory irritation, causes cancer in animals and possibly in humans.
Chrome Yellow (lead chromate) - Skin toxicity moderate. Inhalation high. Carcinogen.
Skin contact may cause allergies, irritation and skin ulcers. Chronic inhalation may cause lung cancer, lead poisoning, etc.
Clays - Inhalation toxicity high.
Chronic inhalation can cause silicosis, a disease involving severe lung scarring.
Cobalt Carbonate - Cobalt Oxide: Skin toxicity slight. Inhalation moderate.
Colemanite - Skin and Inhalation toxicity moderate.
Caustic to skin, eyes, nose and throat, may cause skin ulceration.
Copper Carbonate (malachite) - Skin toxicity slight. Inhalation moderate.
May cause skin allergies and irritation to skin, eyes, nose and throat.
Cornish Stone - Skin toxicity slight. Inhalation high.
Acute inhalation may cause lung irritation, acute ingestion may cause gastric intestinal circulatory and nervous system problems.
Feldspathoids - Skin toxicity moderate, Inhalation toxicity high.
Skin contact may cause burns. Inhalation and ingestion may cause respiratory and gastrointestinal irritation. Chronic inhalation may cause silicosis.
Flint - Skin no significant hazards, Inhalation toxicity high.
Chronic inhalation may cause silicosis.
Iron Chromate - Skin toxicity moderate, Inhalation toxicity high, carcinogen.
Skin contact may cause skin irritation, allergies, ulcers. Chronic inhalation may cause lung cancer, respiratory allergies and irritation.
Note: from Barazani, Gail Coningsby. "Safe Practices in the Arts & Crafts." College Art Association of America, .