Last year, I made a birthday cake for a friend and I randomly bought some edible gold leaf sheets to decorate the cake with. It was a chocolate cake with peanut butter frosting and I just thought it might make it feel extra decadent to top the cake with chocolatey things coated in edible gold leaf.
At the time, I hadn’t really used gold leaf sheets to decorate food with. I had used non-edible versions for craft projects though, so I figured how different could it be.
And although they certainly are similar as far as the look and some aspects of application, I found them to be much more challenging as they seemed to be even more delicate and, well, tricky to use.
So although I would not really consider myself an expert exactly, I do have a few tips I thought I might share with you on how to use edible gold leaf because it is such a FUN thing to use to decorate cakes or other special occasion foods.
Related: Tips for Using Edible Flowers on Cake and 15+ Best Cake Recipes
First off, what is edible gold leaf? There are plenty of brand options out there, but the one I’ve purchased before and liked is Barnabas Blattgold. It is actual gold, and whatever brand you purchase it is usually marked as “edible” when it’s high enough quality to be consumed safely.
The gold leaf you can buy at craft stores (not in the baking section) or things that are not clearly marked as edible I would avoid. Some gold leaf contains copper or other metals that are not safe to consume, while pure (high quality) gold leaf is.
Since it is usually 24 karat or very high quality, it is also fairly pricey. Since I am not a professional wedding cake baker or something along those lines (where I am paid to decorate cakes for occasions), I tend to use edible gold leaf as an accent, rather than covering an entire layered cake. But you can use it however you like.
One question I had (so if there are any doctors or medical professionals reading this, I’d love to hear from you in the comments) is if edible gold leaf is safe for pregnant women to consume?
I had one friend at the party where I served my edible gold leaf cake who was pregnant and I realized I really wasn’t sure on that. We figured better safe than sorry, and like I said, the whole cake wasn’t covered or anything, so it was easy to avoid. But I was curious about that.
There are a few tools that are super helpful when using edible gold leaf. You might want to wear gloves (as the oil on our hands, even clean hands, will stick to the foil and can easily mess up your design). I also use a very fine bristle brush, like a makeup brush.
Of course, it’s good to have a separate brush (don’t use a makeup brush you already use for your makeup). A small steamer can also be helpful, to apply a very thin layer of water to frostings or fondant.
Or you can also use a very fine paintbrush (again, don’t use one that has been used with paints already) to apply water or other ingredients.
For frostings, fondants, or chocolate coated items, steam or use a paintbrush to apply a very thin layer of water. You don’t want a lot, just a very small amount. This will give the edible gold leaf something to stick to.
Then fold back the paper of the gold leaf booklet, careful not to touch the leaf with your hands (even if wearing gloves) and gently apply to the area. Then use your larger brush to gently brush away any excess.
For smaller items, like cupcakes or cookies, you can sometimes hold the item and apply it to the gold leaf (sort of the reverse of the above). The goal is always to touch the gold leaf as little as possible.
You can see more photos of this in this post, where I am using craft gold leaf but the process is the same.
If you want to apply edible gold leaf to a cocktail glass or other non-porous object (where water may not stay in place well), I add just a little honey or corn syrup to the water and then brush that on before applying the gold leaf.
Any extra flecks or pieces can be used in drinks or as small accents on top of cupcakes or truffles. It’s a pretty expensive item (at least compared to sprinkles), so waste not friends! What do you like to use edible gold leaf on? xo. Emma
Gold leaf has been used in art for centuries. In ancient times pure gold was beaten down into thin sheets of metal. This technique dates as far back to ancient Egyptian times seen in relics and artefacts from that period. Nothing compares to the rich warm glow of gold leaf shimmering through a painting or glistening gold accents drawing your eye into a painting.
RembrandtA couple of my favourite known old master artists who used gold leaf in their paintings are Rembrandt and Klimt. Rembrandt was known for applying gold leaf to the surface of a sheet of copper then painting in oils on top of the gilded surface. His paintings had a light and luminous quality and gold specks can be seen shining through in areas. Austrian artist Gustav Klimt is widely known for the beautiful glistening artwork he completed during his ‘Golden Phase’.
KlimtGenuine gold leaf is sheets of real gold hammered down very thinly to make a leaf that can be used for gilding purposes.
There are many other types of metal leaf, from real silver, copper and imitation gold. A wide variety of colours and patterns are also available, known as variegated leaf. Imitation gold leaf is made from copper and zinc.
Real precious metal leaf such as genuine pure silver and gold leaf tend to be more expensive and delicate than other metal leaf (copper, imitation gold and variegated leaf). Imitation gold is slightly thicker than real gold leaf, less expensive and you get a lot more for your money BUT it will tarnish if it’s not sealed due to its high copper content. Genuine gold leaf with a higher rating of 22cts will not tarnish. Real silver leaf will tarnish unlike the cheaper aluminium leaf version.
On the left is an example of genuine gold leaf, on the right is an example of imitation gold leaf.Examples of variegated leaf – this is metal leaf that has been treated with chemicals and acids to achieve different colours and patterns.There are two types of gilding: water gilding and gilding using leaf size or adhesive. I have never tried water gilding, it’s a more complicated process to do. I use a gold size for applying leaf, Pebeo gilding paste or Japanese gold size.
If gilding on top of dry oil paint I use Japanese gold size adhesive because it is oil based. For most other gilding purposes, I use Pebeo gilding paste (Acrylic Gold size is an alternative) which is water-based and suitable to apply on top of acrylic paints.
I always use a sealer/varnish when working with imitation gold leaf to slow down and help reduce the oxidation process and it will give additional overall protection. A varnish such as Goldens MSA with UVLs can be used. Avoid using oil paint on top of this varnish as it is removable for archival purposes and not recommended to be painted over. Some artists use shellac with good results.
I don’t recommend painting in acrylics on top of unsealed imitation leaf as acrylic paint contains ammonia which can tarnish the leaf. You can outline the image to be painted and gild around it and then fill in the painting outline afterwards. If sealing leaf before or after painting, be careful because some water based acrylic varnish/sealers can tarnish unsealed metal leaf!
I personally tend to stick to solvent based varnishes. A method I have used frequently with success is to paint in oil paints on top of imitation gold leaf and varnish once the paint is dry. I use two coats leaving a week or so between coats.
You can seal gold leaf with a permanent varnish and then paint in oils. Or seal the leaf after you have painted in oils and the oil paint is dry (within 6 months). Although pure gold leaf will not tarnish, I would still recommend varnishing over pure gold leaf for added protection and durability purposes against accidental scratches/scuffing etc.
SURFACE PEPARATION – if gilding on wood I lightly sand the surface first, apply gesso and when gesso is dry I paint a layer of acrylic paints onto the surface. If gilding on canvas I apply gesso followed by a layer of acrylic paints before gilding.
APPLYING ADHESIVE – I brush on a water-based adhesive when gilding over acrylic. If gilding over oil paints, you really need to make sure the paint is dry through and this can take several months! If you gild over oil paints that are not thoroughly dry, the leaf can adhere to areas where you don’t want it to be. You must also use a solvent or oil-based adhesive when gilding over oil paints.
LEAF APPLICATION – lift loose leaf and carefully place it where you would like gilded, place wax paper over the top and rub gently to smooth it in place. Alternatively, you can place wax paper on top of the leaf and rub to create a static to lift and stick the leaf onto the paper. Then place the leaf in position over the adhesive and gently burnish with your hand. Transfer leaf is already attached to wax paper so you just place it on top of adhesive areas and gently rub until the leaf adheres.
CLEANING OFF EXCESS LEAF – use a soft brush to brush away excess leaf from the canvas or wood panel. You should now have a nice shiny gilded surface.
‘Fox Under Moon’ is example of my artwork. I have used imitation gold leaf, silver leaf and variegated leaf. A mixture of acrylic and oil paints have been used. Consideration regarding varnishes, sealing, drying times and how and when to apply the leaf had to taken for this piece.
‘Bumblebee’ is an example of my artwork using imitation gold leaf. I applied a layer of gesso to the canvas and once dry I painted a coat of dark grey acrylic paint.
When acrylic paint was fully dry I covered the canvas with Pebeo gilding paste because I wanted the edging to be free of adhesive to give an aged torn look. When size was tacky and ready, I applied the leaf, painted my subject in oils, let dry and finally applied a removable varnish. I could have opted to seal the leaf with a permanent varnish before painting in oils for added protection.
‘Beautifully Made’ is an example of my latest embellished work. This is a collection of embellished artworks shining a spotlight on our beautifully made natural world. I have incorporated genuine gold leaf touches in areas along with art glitters, handmade gouache paints, semi-precious gemstones and pearl ex.